This effort is undertaken by friends and supporters of Haile Gerima’s work and aims to raise funds to complete The Children of Adwa. It is inspired by Haile’s lifelong dedication to bring important stories of resistance, humanity, and survival to the screen. Haile Gerima By: Maya Lee and Davis Waln Overview Sankofa is a film that twists the typical perspective of slavery by challenging African-American and societal views. Written and directed by Haile Gerima, the movie was released in 1993 and starred multiple prominent black actors and actresses. Gerima used slavery to change the perspective of.

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Sankofa Film
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Tye JMU class clip of Sankofa. Sankofa; Haile Gerima is a warrior, and as such in these times, a decidedly serious personality. Still, like many who know Haile, I’ve winced when I’ve seen any number of the photos (Time magazine, Vibe, The Village Voice) that have accompanied the release of Haile’s groundbreaking Sankofa. The images suggest a somewhat grim personality.

Haile Gerima

By: Maya Lee and Davis Waln

Overview

Sankofa is a film that twists the typical perspective of slavery by challenging African-American and societal views. Written and directed by Haile Gerima, the movie was released in 1993 and starred multiple prominent black actors and actresses. Gerima used slavery to change the perspective of the past within the African-American community.

Opening scene of Sankofa with Sankofa guarding the castle.
(Sankofa. Dir. Haile Gerima. 1993. DVD.)

Sankofa’s opening scene is a black model, Mona, on a beach outside of an African castle. During this scene, Mona meets the guardian of the castle and assumes that he is a lunatic. After a few minutes of uncomfortable yelling between each other, Mona is transported back into the past and takes on the body of a slave. She lives her life among other slaves at an undisclosed plantation in America. Gerima mentions in an interview that not giving the movie a location was vital in its success. Without a setting, it becomes harder for viewers to brush the movie off because it generalizes where their ancestors were enslaved. Through these experiences, she witnesses the horrors of slavery and the associated racism.

At the end of the film, Mona is transported back to present day but still remembers her experiences from the plantation. Her memories from the past continue to haunt her, and she begins to see the everlasting effects of slavery in modern society. She realizes that Sankofa, the guardian of the castle, is not crazy, but is attempting to make slave descendants see the importance in connecting with their ancestors. By using a form of time travel, Gerima conveys the full extent that slavery continues to have on society and wants African-Americans to better connect with their roots.

Historical and Cultural Context

Sankofa bird, with feet planted forward, looking into the past to go better into the future.
(Berea College; Carter G. Woodson Center; https://www.berea.edu/cgwc/the-power-of-sankofa/.)

The word Sankofa is from the Akan culture of Ghana, and it embodies the idea of going back to the past to learn and better continue to the future. The character in the movie, that is named Sankofa, embodies this philosophy. This ideology, among many others, is emerging and perpetuating in modern society. Although not all that use this word understand its full meaning and origin, it is still very prevalent in society today, in literature, and even company names (Temple). The movie Sankofa is a bridge between the origin of the ideology and the meaning it holds in society today.

With the problems of modern society, the idea of Sankofa is more important than ever. The writer and director Gerima experienced racial violence and separation growing up in Chicago. There were race riots protesting ghetto conditions and police brutality throughout the time he was growing up there (Essig). Although a little more calm today, some of these problems that Gerima grew up with still are present in society. A specific case of police brutality at the time the movie was released is the case of Rodney King. Police officers beat him, it was caught on tape, and the wrongdoers were acquitted (Sastry and Bates). The movie was created as a response to the growing separation between the displaced African people and their heritage and roots. It showed them a way to be grounded and deal with the corrupted society that stifles and waters down their culture.

In the movie, a reflection of modern brutality can be seen when white slave owners beat the slaves. This kind of exaggeration of modern issues force the readers to see them, and they cannot ignore the flaws still haunting this country.

The movie was a voice of criticism to society, and a reminder to the displaced to look back and remember their past, as it is an incredibly important part of dealing with their current oppression. They need to learn about the wrongs of the past to understand the wrongs of today. Hardships the people originally from Africa are experiencing today is a major motivation for making this movie.

Haile Gerima’s upbringing in Ethiopia trained him to tell stories. He grew up from when he was born to the age of 10, listening to his grandmother tell stories that were passed down by mouth through the generations. He then moved to Chicago where he experienced first hand the culture surrounding race relations and racial violence (A Moment With… Haile Gerima). This combination of upbringing created a passion for creation and endless ideas to portray. Because of this fire, he fundraised the necessary money to make the movie, recorded it, and produced it in his basement. Due to its almost vulgar nature and risque topics, the movie had to stand independently, however it still attracted many curious eyes and sparked conversation in society today.

Themes and Style

The film Sankofa uses vivid imagery and displays of violence to drive the horrific scenes of slavery into the viewers’ minds. The scenes, although maybe disjointed and hard to follow at times, portray the best and worst parts of a slave’s life – from the comradery of family, to the murder of innocent mothers. The situations the director and writer chooses to depict appeal to the viewers’ ethos and pathos, making them feel the friction between morals and actions, and drawing out their most empathetic sides with emotional displays of loss and dichotomy.

The film’s overarching and reoccurring theme is the idea of Sankofa – don’t forget your roots. This is clearly seen in the literal transportation of the modern day model, Mona, into the antebellum past, and her enslavement. She learned about where she came from – from the hardworking and abused slaves. She remembers, learns, and knows that in her modern day life she must stay closer to her people and culture.

However, there are other themes that emerge throughout the movie. As Noah Berlatsky said in his article “What Movies About Slavery Teach Us About Race Relations Today”, “it is remarkably focused, even obsessed, with betrayal and faithfulness” (Bertlatsky). The unintentional betrayal of the displaced African people from their heritage is displayed in the character Joe, the overseer that turned on his own people and even his own mother. This theme of betrayal is a warning to the displaced, and creates antithesis to bring out the faithfulness themes in the film even more. Take the faithfulness of Shango, for example. His endless fire for rebellion and steadfast loyalty to his people against Joe’s betrayal creates a friction that cannot be ignored, and the movie makes it clear which path the writer thinks is right. Shango’s rebellious nature can be related to the rebellions of today, and bl

Haile Gerima Sankofa